Nam Heng

Bone China was an identity for a small porcelain house that has fired kilns in the same Kinta Valley town for three generations, and we drew the mark from the thinnest point of their teacups, a line that almost disappears against light, and the system used that near-absence everywhere, hairline rules, pale embossing and photography shot against white so the objects had to define themselves by shadow alone, and the effect made thinness itself the brand.

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